Another artist that I find interesting and helpful is Erin Cone. Cone concentrates on fabric and the human figure. I love her simple photographic portraits especially in her painting Keepsake. I strive to create images as clear cut as Cone does. The use of subtle colors and shapes makes for a powerful picture. The figures demand that you pay attention to their glowing forms. I think that from Erin Cone's work I can learn how to create a more accurate figure and be able to master skin.
The last artist that I really felt a connection with is Peggi Kroll. She has tones of figures and more often than not they are just a handful of shapes. It is wonderfully surprising. Some artist take the time make the figure a complex assimilation of jigsaw-like pieces. Kroll on the other hand seems to try to do the figure in as few shapes as possible. As a result her figures are just as powerful as anyone who used small detailed shapes. From Kroll I can learn the simplicity of the human figure.
All of these artists give extremely good examples to learn from. Although practice is important, so is studying those who have mastered what you would like to accomplish.
What a great art critic/reviewer you would make.NOW, How can you take these artists into your own work? Will your next piece strike a casual pose or be drenched in sunlight or are you ready to tackle an interior. Can you imagine diptyches of your people along with their environments?
ReplyDelete